<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>Shelley Earl: Writing</title><description>Exhibition reviews, lectures, and writing on art and education by Shelley Earl.</description><link>https://shelleyearl.com</link><language>en-gb</language><item><title>The Myth of the Calling</title><link>https://shelleyearl.com/writing/myth-of-the-calling</link><guid isPermaLink="true">https://shelleyearl.com/writing/myth-of-the-calling</guid><description>Each label arrives pre-loaded with its own mythology, and none of them, I&apos;ve come to realise, were waiting inside me at birth like a vocation to be discovered. They were built.</description><pubDate>Sat, 01 Aug 2026 00:00:00 GMT</pubDate><category>Opinion</category></item><item><title>Distributed Echoes: Roppongi Crossing at the Mori Art Museum</title><link>https://shelleyearl.com/writing/roppongi-crossing</link><guid isPermaLink="true">https://shelleyearl.com/writing/roppongi-crossing</guid><description>Moving through it feels less like following an argument than tuning a radio: signals overlap, interfere, and refuse to settle into a single channel.</description><pubDate>Mon, 01 Dec 2025 00:00:00 GMT</pubDate><category>Review</category></item><item><title>Chromatic Choreographies: Alongkorn Lauwatthana in Bangkok</title><link>https://shelleyearl.com/writing/lauwatthana-beyond</link><guid isPermaLink="true">https://shelleyearl.com/writing/lauwatthana-beyond</guid><description>Alongkorn Lauwatthana&apos;s exhibition does not so much invite the viewer in as assume you will step into its world and keep up.</description><pubDate>Wed, 01 Oct 2025 00:00:00 GMT</pubDate><category>Review</category></item><item><title>Vectors of Memory: Bui Hai Son at the HCMC Fine Arts Museum</title><link>https://shelleyearl.com/writing/bui-hai-son</link><guid isPermaLink="true">https://shelleyearl.com/writing/bui-hai-son</guid><description>Bui Hai Son&apos;s sculptural installation occupies the gallery with the kind of quiet authority usually reserved for objects that predate the building itself.</description><pubDate>Mon, 01 Sep 2025 00:00:00 GMT</pubDate><category>Review</category></item><item><title>Is Art a Need? Rethinking Article 27 and the Quiet Radicalism of Culture</title><link>https://shelleyearl.com/writing/is-art-a-need</link><guid isPermaLink="true">https://shelleyearl.com/writing/is-art-a-need</guid><description>Is art a human need, or simply a desirable accessory to one’s actual needs? Article 27 of the Universal Declaration of Human Rights, and the quiet radicalism of culture.</description><pubDate>Fri, 01 Dec 2023 00:00:00 GMT</pubDate><category>Lecture</category></item><item><title>Academic Enrichment: the impact of an exceptional programme</title><link>https://shelleyearl.com/writing/academic-enrichment</link><guid isPermaLink="true">https://shelleyearl.com/writing/academic-enrichment</guid><description>Enrichment is often perceived as something that happens outside the classroom. That perception can do real damage to school life.</description><pubDate>Sun, 01 Jan 2023 00:00:00 GMT</pubDate><category>Education</category></item><item><title>Stumbling Over Gormley in Singapore</title><link>https://shelleyearl.com/writing/gormley-in-singapore</link><guid isPermaLink="true">https://shelleyearl.com/writing/gormley-in-singapore</guid><description>There is something uniquely humbling about entering the National Gallery Singapore on a bright, humid morning and immediately tripping over an Antony Gormley.</description><pubDate>Mon, 01 Aug 2022 00:00:00 GMT</pubDate><category>Review</category></item><item><title>Assuming Excellence</title><link>https://shelleyearl.com/writing/assuming-excellence</link><guid isPermaLink="true">https://shelleyearl.com/writing/assuming-excellence</guid><description>What happens when we apply &apos;assumed excellence&apos;, rather than &apos;assumed incompetence&apos;, to professional development as well as to the classroom?</description><pubDate>Fri, 01 Jul 2022 00:00:00 GMT</pubDate><category>Education</category></item><item><title>Stillness That Speaks: Encountering Rothko Beyond Analysis</title><link>https://shelleyearl.com/writing/rothko-stillness-that-speaks</link><guid isPermaLink="true">https://shelleyearl.com/writing/rothko-stillness-that-speaks</guid><description>There are moments in galleries when all the theoretical apparatus one has accumulated quietly packs its bags and leaves. On the Seagram Murals.</description><pubDate>Wed, 01 Sep 2021 00:00:00 GMT</pubDate><category>Lecture</category></item><item><title>When Art Bleeds: Biomatter, Ethics, and the Trouble With Being Human</title><link>https://shelleyearl.com/writing/when-art-bleeds</link><guid isPermaLink="true">https://shelleyearl.com/writing/when-art-bleeds</guid><description>Tears, hair, blood, ashes and entire corpses: how, exactly, are artists getting away with this?</description><pubDate>Mon, 01 Mar 2021 00:00:00 GMT</pubDate><category>Lecture</category></item><item><title>Material Intelligence and Mild Existential Panic: Encountering Lee Jaehyo in Gyeonggi-do</title><link>https://shelleyearl.com/writing/lee-jaehyo</link><guid isPermaLink="true">https://shelleyearl.com/writing/lee-jaehyo</guid><description>Lee Jaehyo’s exhibition operates with the calm assurance of an artist who knows exactly how matter behaves, and is not above using that knowledge to unsettle the viewer.</description><pubDate>Wed, 01 Jul 2020 00:00:00 GMT</pubDate><category>Review</category></item><item><title>Pigment, Power, and Preventative Measures: Yves Klein at Blenheim Palace</title><link>https://shelleyearl.com/writing/yves-klein-at-blenheim</link><guid isPermaLink="true">https://shelleyearl.com/writing/yves-klein-at-blenheim</guid><description>What happens when a historic British estate hosts an artist whose signature medium is the colour equivalent of a controlled detonation.</description><pubDate>Sun, 01 Jul 2018 00:00:00 GMT</pubDate><category>Review</category></item><item><title>Infinity, Immersion, and the Logistics of Joy: Yayoi Kusama in Singapore</title><link>https://shelleyearl.com/writing/kusama-in-singapore</link><guid isPermaLink="true">https://shelleyearl.com/writing/kusama-in-singapore</guid><description>The endurance of repetition, the intimacy of obsession, the architectural demands of infinity, and the choreography of hundreds of ecstatic visitors.</description><pubDate>Thu, 01 Jun 2017 00:00:00 GMT</pubDate><category>Review</category></item><item><title>The Art of Cultivating Creativity</title><link>https://shelleyearl.com/writing/cultivating-creativity</link><guid isPermaLink="true">https://shelleyearl.com/writing/cultivating-creativity</guid><description>Why a quality art education matters in an increasingly visual world, and how to motivate children who would rather be doing something else.</description><pubDate>Sat, 01 Oct 2016 00:00:00 GMT</pubDate><category>Education</category></item><item><title>Gunpowder, Ghosts, and The Ninth Wave: Cai Guo-Qiang at the Power Station of Art</title><link>https://shelleyearl.com/writing/cai-guo-qiang-ninth-wave</link><guid isPermaLink="true">https://shelleyearl.com/writing/cai-guo-qiang-ninth-wave</guid><description>Less like attending a show than walking into the reverberations of a controlled apocalypse.</description><pubDate>Fri, 01 Aug 2014 00:00:00 GMT</pubDate><category>Review</category></item><item><title>Clinical Sublime and Chaotic Precision: Damien Hirst at Tate Modern</title><link>https://shelleyearl.com/writing/damien-hirst-at-tate-modern</link><guid isPermaLink="true">https://shelleyearl.com/writing/damien-hirst-at-tate-modern</guid><description>A little like stepping into the world’s most aesthetically sophisticated morgue. Or pharmacy. Or aquarium. Or possibly all three.</description><pubDate>Wed, 01 Aug 2012 00:00:00 GMT</pubDate><category>Review</category></item><item><title>The Architecture of Exposure: Tracey Emin at the Hayward Gallery</title><link>https://shelleyearl.com/writing/tracey-emin-at-the-hayward</link><guid isPermaLink="true">https://shelleyearl.com/writing/tracey-emin-at-the-hayward</guid><description>Not so much an exhibition as an encounter with a life laid out in meticulously curated fragments.</description><pubDate>Fri, 01 Jul 2011 00:00:00 GMT</pubDate><category>Review</category></item></channel></rss>